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Think about distributing it as an audio-only piece and those problems are there because when you\u2019re listening to audio, you don\u2019t have this sense that it\u2019s the only thing you should be doing, unless you\u2019re in a concert hall. You\u2019re listening to it while doing such-and-such. I\u2019m glad that we do have the image component, but it\u2019d be interesting to know how many people who are watching the film online are also monitoring their Twitter feed while doing it (laughter). I\u2019m wondering to what extent people are turning everything off and putting it on full screen mode. And one\u2019s experience of any piece is obviously rewarded by doing only that.
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Having come into that world without a background in film\u2026 I mean, I had done work as an audio technician in various ways, recording music, mixing music, doing CD mastering, working in Chicago public radio, making radio programs, and doing live broadcasts and blah blah blah. I had some sense of how to work in audio but not any training in how to do soundtrack for a movie. I had blissfully approached that without a sense of what conventions I was either making use of or not making use of.